A panic
it was which ran all over the city – but this small girl with a black Djellaba hood covering her head - was passionate to draw and get her manuscript on
drawing published. Striking through and passing along the charcoaled bricks - a flourishing reddish-brown that faded over time. No noticeable difference have the wall reacted to when getting a sensational touch by her tiny, painted with charcoals fingers. Children of all ages were busy in bullying, pulling and throwing away each
other – their version of playing a game probably.
Standing on the stairs a deep thought carpeted this little angel's blue eyes which were stuck on the old styled rusty cooper bell hanging around the opening of the door. Clinching and digging deep her fingers into each others, scratching the skin with her blackened nails. Looked all over the place. No one was walking around to get the help of. Turned around and sat on the stair she was standing on. Waiting for some one to pass inside but no one did. Unable of waiting no longer she stood and organised her self took a deep trembling cold breath smacked and bit her lower lip. Suddenly her eyes caught a site of corner of a bench that was kept hidden behind the opened Solid Oak wood door - probably, where her grand father use to sit with a stick in his trembling but strong hands as a door guard. No one now guard this place any further after his death. She kept her belongings on the stair and went towards the bench - in no time she was seen applying all her force into pulling and pushing the heavy bench. Dragged till it came on to the spot just under the hanging bell. Lifted her Djellaba up till her soft knees to save it from any damages.
Rang the old styled rusted bell hanging over the door. Stepped in the little girl with few papers covered well in a jute fabric. There came outside a strange stranger upon the hearing of the loud bell who looked no less than a creature of her age with big ears and lips with beautifully done French plait wearing a frock that covered her feet. The little girl discovered that strange looking creature had limbs no less than like humans – probably she was born with all other defects in her with extra sweetness to count on.
Rang the old styled rusted bell hanging over the door. Stepped in the little girl with few papers covered well in a jute fabric. There came outside a strange stranger upon the hearing of the loud bell who looked no less than a creature of her age with big ears and lips with beautifully done French plait wearing a frock that covered her feet. The little girl discovered that strange looking creature had limbs no less than like humans – probably she was born with all other defects in her with extra sweetness to count on.
The little
girl named Sana aged seven from Morocco was a celebrated and god-gifted child
with certain talent that does not hit a human every now and then without learning from an educated
instructor. She was well aware of the pros and cons of sketching from scrap.
She sold dry bread to people who had animals to live and feed on. She collected
dry bread each morning from houses in downtown where she lived with her old and
blind granny. Everyone loved her because she was a fine looking young girl with
unusual watery grey bluish eyes and of course with that dent in her clean and
fair cheeks she took many hearts – big and small - away already.
After
collecting these dry pieces of bread she use to sell them, as I mentioned
earlier, to the people who bear animals like goats for meat and cows for milk
of course for selling purpose.
The money
she earned every day, use to buy daily supplies of food for her and her granny
– saved a few pennies to buy her charcoals and papers. Sana, extra ordinary
looking girl as everyone thought would grow up into one attractive young woman
with slender shoulders good height fair complexion and slim stature to start
with. She looked more like Lebanese then Moroccan in her disguise.
Back to the
publishing house where Sana found this strange looking girl of her age. Born to
a couple who lived in and hailed from Morocco. About her looks that she got
from her mother, when she was expecting with Sara, went into a severe accident which
affected the unborn child’s genetics disfigured her whole stature and looks who was later diagnosed with cancer. She was put under child labour against
her will by parents who did not need her since she was not an ideal figure that
a man could demand in marriage for. Looking at no other possibilities, her local goldsmith father decided to
put her to earn money into this small publishing house in whatever work she was
allotted, to fill the water tanks to clean the concrete floors. Over the time
she found her passion in philosophy also which was instilled naturally in her.
“Oh you
draw.” Looking around with fearful eyes she asked Sana in low voice, “can I… I
see it?”
“Ok!”
Sara turned
the pages hastily and found unsaid sadness, courage and love of nature onto
the clear papers.
“I am sure
you picked them from somewhere else in the town. Or maybe some unanswered and
holy soul wrapped dry pieces of bread in it.” Sara guessed.
“no!”
exclaimed Sana, “I made it.”
While Sara
tried to judge the status of papers if it was twisted and thrown. But it
wasn’t. The papers were as clean and wrinkle free as they should be once it has agreed to adopt the a given face and purpose to live for.
“You know
what? A paper is like us, humans.”
“Are you
really a human?’ asked Sana with such an innocent accent.
“Well, yes
I am. Oh it is the thing which I got from my mother.” She continued while
walking around on pane of the window that collects all the works from artists,
writers, musicians etc. “a paper is when twisted turned quenched so badly it
loses its shape. But when it is queued to receive a face a purpose an ultimate
disguise it turns into.” Sara continued with her words and somewhat Sana was
paying a great attention to the words. Though words are neither her
predecessors nor her ancestor’s occupation.
A heavy
voice approached the girls while coughing. The hit of the walking stick over
the concrete floor was certain to every intent ear. Sara left the papers
belonging to Sana over the pane of collecting window and jumped down heading
towards the nearest opened door.
“Hello
young woman,” the man laughed while taking his seat and resting the stick next
to the wall.
“What do you have for me collect?” Inquired the old man after pulling a rod attached with downlights fixed under an old mahogany ceiling fan and bending himself along his table fixed beneath the sliding window.
“I sketch.”
She replied.
“You…
SKETCH?” No wonder, haha, but then my little women, we don’t entertain small readers here as you can see from height of the counter from where i can bearly see your face.
Sana pushed herself backward and joked about his big belly giving him another possible reason for him that prevent him to see things beneath his big belly. the old man looked furiously from behind his specs with no glass attached to it.
Sana pushed herself backward and joked about his big belly giving him another possible reason for him that prevent him to see things beneath his big belly. the old man looked furiously from behind his specs with no glass attached to it.
“It is,
sir, not for small readers it is for all, I have many a drawings of your
interest.”
“And how
you know what interests me exactly? HAAN?” the old man said in a heavy voice
while clearing his sound pipes and smoking through a midwakh.
“Love, of
any kind is an interest in itself, Sir,”
The old man
was busy in turning the loose pages around that housed many stories in lines
and shadows.
“You made…
this… entire, young woman?”
“Yes, Sir.”
Said Sana with a twinkle in her eyes and smile on her small so gentle visage.
“you have a
sweet smile my little girl.”
“Thank you,
Sir, my mother gave it to me.”
Laughed the
old man upon Sana’s innocent words.
“I am afraid my child your words are
innocent but the drawings don’t say that you made them. Can you make one for
me, right now?” Snuggled he in a heavy voice.
“Yes sir.”
Sana sat on the floor and searched her hanging bag that resided many dreams in
it. Got all her material out while the old man watching her material that
wasn’t of the quality that is required. But the quality of the material can
never stop a talented person to hit and break the concrete walls. The papers
and charcoal were just as common as a student might have in their early stages
of learning.
“what are
you going to make for me?” questioned the old man.
“I am
making a You for you Sir.” Sana Replied in return.
“Making a
ME young woman? Haha” swaying his belly down the table while laughed he upon innocent reply.“I wonder if you or Sara
were under each others' influence ever.”
“No, Sir, I
just met her now.”
“Oh you
already met. No wonder. Haha.” The old man continued with his signature laugh.
Sana was
still unfinished with her given job when a handsome young man with dusky skin
entered the collecting counter cabin and bidding a good morning to the man
behind the counter. Soon as the old man saw him coming in he kept Sana’s
sketches aside and occupied himself in getting the big ledger book out. The
handsome man with such an attractive personality handed an envelope to the
collector and signed into the big ledger book.
He shocked
the pen down where Sana was sitting on the floor with her charcoal and a few clean
papers that showed traces of black lines those got from her hands all
coloured black by the handling of the charcoal that she used as a pencil to
draw her dreams. She grabbed attention
of the young man by the way she was swaying her tiny hands over paper.
The young
man, without signing the register sat down with Sana – she reserved her cloak
and pushed herself a bit far then his knee touching hers without looking at
him. Suddenly, he grabbed her tiny hands and started scrubbing them with a white
handkerchief that he drew from his coat pocket.
“Abide with
me; I’ll buy u some good charcoal that won’t stain your hands.” And started
packing her bag filled with some wanted and some unwanted dreams. He stuffed
her week wrist into his strong palms to make her stand. In no time the old man heard her balgha clattering all over the concrete floor swaying away clueless with the kind gentle man who donated the publishing house
for those who have no resources and is heavy on their pockets to buy material.
Old man was
inquiring the brown envelope full of money to complete the entry into the register,
lying down in front of him on the cracked Oak wood table polished with walnut
veneer; there appeared suddenly the young man again to fetch the sketches of
tiny Sana. Left astray the opened register fluttering of papers caused by
old ornate 54" brass ceiling fan reminded him to sign ceremonially with a gold
platted pen drawn from his front coat pocket. Tipped the pen down on register
under his name - instead of signing he scrapped his name and took the envelope
full of money from the trembling hands of the old man. He left the place like
wild wind never to come back. As if he got what he was throbbing for ages on Atlantic
oceans, The Casablanca.
Hands if
stained with talent is good but hands if stained with hard work is associated to
nothing then the quick steps to success - she had both under her cloak.
This is what he found in my little
Sana. The courage and the God-given talent.
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